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- CINEMA, Page 78Don't Run: One Hit, One Error
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- Two new movies go out to the ball game
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- By Richard Corliss
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- A boy's sport, a man's game. Baseball lodges in the American
- male heart because the fundamentals look easy enough for any
- Little Leaguer to master. Too soon, men realize that pro ball
- demands a genius for grace, concentration and magnificent
- egotism. They may agonize over the career path not chosen, the
- debt too steep, the woman so close but just beyond their reach.
- For many, though, a dream of athletic stardom is the one that
- got away. So they stick with baseball, living and dying with
- their team, analyzing stats with the rapt anguish of a
- rabbinical student cramming for a final. To their favorite
- players they are both sons and fathers -- part hero worshipers,
- part child psychologists. They become a collective, possessive
- lover of their idols. Baseball fever: boys catch it, men can't
- shake it.
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- Not even movie men are immune, as witness last summer's Bull
- Durham, Eight Men Out and Stealing Home. And here come two more
- films, both directed by their writers, that play games with
- baseball. David S. Ward's Major League is a rowdy, genially
- cynical comedy about jocks and Jills. Its fanciful Cleveland
- Indians team is a bunch of rejects from the Mexican, minor and
- California Penal leagues. Now coming to bat: the veteran
- catcher on his last legs (Tom Berenger), the Willie Mays
- wanna-be (Wesley Snipes), the pampered third baseman (Corbin
- Bernsen). And on the mound, a fastballer (Charlie Sheen) with
- control problems on and off the field. With this gang, in this
- comic fantasy, the Tribe can't lose.
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- Major League doesn't try too hard or aim too high, but it is
- pretty funny. With its stock characters, breezy dialogue, dense
- ambience and instinct for easy emotions, it could serve as the
- pilot for a pay-cable sitcom. The film's tone is acerb, but its
- climax is as predictably uplifting as Rocky's and as surefire
- effective as Damn Yankees'.
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- The hero of Damn Yankees was a pennant-winning natural named
- Shoeless Joe Hardy. The hero of Phil Alden Robinson's Field of
- Dreams is a farmer (Kevin Costner) who dreams of bringing
- Shoeless Joe Jackson back to earth for one more game. The great
- outfielder may have helped throw the 1919 World Series, but the
- farmer idolizes him and his Black Sox teammates for their
- innocence! So with the help of his trusting wife (Amy Madigan)
- and a crusty black author (James Earl Jones) who doesn't mind
- that all the old major-leaguers were white, he plows down his
- cornfield to erect a ball park and populate it with phantoms.
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- Despite a lovely cameo turn by Burt Lancaster, Field of
- Dreams is the male weepie at its wussiest. There is poetry in
- baseball, sure, but it is not shaggy doggerel of the Joyce
- Kilmer stripe: "I think that I shall ne'er remark/ A cornfield
- green as Fenway Park." It comes in the concrete poetry of a
- Bill James statistical analysis, or in the sprung rhythm of a
- Roger Angell paragraph. Or in the flight of a ball from the
- pitcher's hand toward the catcher's glove, with a million
- delicious options at stake.
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